keith jarrett stella by starlight transcription

#Keith jarrett stella by starlight transcription how to#
#Keith jarrett stella by starlight transcription pdf#

I’ll be honest, I haven’t studied much of Kieth’s music. Look out for major chords with the sharp 11th in the melody to utilise this major sharp 11 voicing. Remember that in major keys, we raise the 11th as the natural 11th is an ‘avoid note’ due to the half step interval between the major 3rd and the natural 11th. We keep the stacked 5ths in each hand but now instead of playing the b3, b7 & 11 in the right hand, we are playing the major 3rd, major 7th and sharp 11th. We can also change the quality of this voicing from minor to major simply by making the minor 2nd interval that separates the two hands into a major 2nd interval. Major Variation Of The Kenny Barron Voicing This isn’t possible in all keys but works in most. We can double the 11th using the right hand thumb which now plays two notes. This creates a thick, meaty voicing and really brings out the 11th colour of the chord. The second variation is to double both the 9th and the 11th of the chord. In the key of D minor, this means adding a C major triad at the top of the chord.

The first variation is to double the 9th, by adding a triad at the top of the chord. There are a number of different variations of the Kenny Barron voicing that can be used.

#Keith jarrett stella by starlight transcription pdf#

This resource contains both the major and minor variations of this very useful chord voicing:ĭOWNLOAD PDF Variations Of The Kenny Barron Voicing Downloadable PDF Lesson Supplementĭownload the Kenny Barron voicing in all 12 keys. Notice that the top scale degree of the voicing is the 11th so when you’re reading lead sheets, look out for minor chords with the 11th in the melody. Memorising this formula will allow you to build the chord in all 12 minor keys.

#Keith jarrett stella by starlight transcription how to#

How To Build The Kenny Barron Voicingįrom bottom to top, the voicing is made up of the following scale degrees:

The perfect 5th intervals give the voicing its spacious sound and the minor second interval adds a touch of tension and dissonance. The voicing is made up of two perfect 5th intervals in each hand, separated by a minor 2nd interval in between. The voicing gets its name from the acclaimed jazz pianist Kenny Barron. The Kenny Barron Voicing is an open-sounding minor 11th voicing.